b. 1955 English conductor Rattle won the John Player International Conductors’ Competition in 1974. After posts with the Royal Liverpool Philharmonic Orchestra and the BBC Scottish Symphony Orchestra, he was principal conductor and music director of the City of Birmingham Symphony Orchestra, 1980–97. In 1999 he was appointed Abbado’s successor, from 2002, at the Berlin Philharmonic Orchestra. ...
(Se’-mon Mi’-er) 1763–1845 German composer Mayr grew up in Bavaria and taught himself to play most string and wind instruments, before moving to Venice, where he studied composition with Ferdinando Bertoni. Mayr composed numerous operas, many for La Scala, Milan. Although his works exhibit diverse stylistic elements, his melodic and harmonic expression was rooted in late Neapolitan ...
Rattles and shakers are ubiquitous untuned percussion instruments in all musical cultures. They are used in many forms of music-making, religious ceremonies, dance and other activities. They are often simple in construction and can be made from natural materials. A rattle comprises a body housing a number of small pellets or beans, which bounce against the internal walls of ...
1663–1745, French Simon-Joseph Pellegrin was a monk who sailed twice with the French fleet to the Orient, and who put into verse Biblical texts that were sung to music by Lully and Campra at the royal convent at St Cyr. Pellegrin provided libretti for many composers, including Campra and Desmarets, but his best-known works are Jephté, set ...
1710–92, French Charles Favart became director of the Comédie-Italienne in Paris in 1758. His 11-year term as director was evidently important in the theatre’s history, for in 1871 it was renamed Salle Favart. As a librettist, Favart’s output was prodigious: he wrote 150 libretti for composers such as Gluck, Philidor and Grétry. Favart’s forte was the comic ...
1763–1845, German The German-born composer Simon Mayr was studying in Italy when the patron who supported him died and he faced an uncertain future. Piccinni encouraged him to write opera and Mayr took his advice. Mayr’s first opera, Saffo (1794), attracted several commissions, but his great breakthrough came when Ginevra di Scozia (‘Ginevra of Scotland’, 1801) was performed ...
Verdi’s dark, brooding opera Simon Boccanegra had a tortuous history before 24 March 1881, when its final version premiered at La Scala, Milan. Verdi composed Boccanegra in 1857, but the Venetian audience reacted coolly; an anti-Verdi claque sabotaged the performance and a false rumour spread, claiming that Verdi had written the libretto and made a mess of ...
1916–2006, Canadian One of the great Mozartian tenors of his age, Simoneau married French-Canadian soprano Pierrette Alarie. They went to Europe, where he sang at the Paris Opéra, Aix-en-Provence, Glyndebourne and London’s Covent Garden. In 1952, Simoneau sang in a historic recording of Oedipus Rex, with Stravinsky conducting and librettist Jean Cocteau as narrator. ...
b. 1959 English baritone Following a period with Scottish Opera (1988–94), he made his debuts at Glyndebourne and La Scala in 1995, and at the Metropolitan Opera in 1996. Much in demand in for the Mozart baritone roles (recording Don Giovanni for Abbado), he was also praised as Britten’s Billy Budd at Covent Garden (in 2000) and on record (under ...
(Vocal duo, 1957–71, 1981–83, 2003–04, 2009–10) As ‘Tom and Jerry’, Paul Simon (vocals, guitar) and Art Garfunkel (vocals) had a minor US Hot 100 success as teenagers in 1957 with ‘Hey Schoolgirl’. Both attempted to forge solo careers, which took Simon to the UK where he became a reliable draw in the country’s folk clubs. ...
(Guitar, vocals, b. 1941) Paul Simon (1972) was an eclectic affair followed a year later by the more straightforward There Goes Rhymin’ Simon. His third solo album Still Crazy After All These Years (1975) featured a reunion with Art Garfunkel on the duet ‘My Little Town’. The singer’s most popular and influential work was Graceland (1986), which utilized African ...
1902–83 English composer After singing in the choir at Christ Church, Oxford, Walton became an undergraduate there, his talent attracting the attention of the Sitwell family (the poets Edith and Osbert and their writer brother Sacheverell). They supported him for 10 years, enabling him to write music at leisure until he earned enough to become independent. At ...
b. 1930 American conductor, pianist and composer Previn’s family fled Germany in 1938, settling finally in Los Angeles, where he began parallel careers as an orchestrator and conductor at MGM (he went on to win four Academy awards for film music) and a jazz pianist. His classical conducting debut in 1962 led to numerous international engagements before his ...
(E’-gor Strvin’-ske) 1882–1971 Russian composer Stravinsky was a Russian composer, naturalized to French citizenship, then ultimately became American. He was one of the most formative influences on twentieth-century music. He came from a musical background (his father was principal bass singer at the Imperial Opera in St Petersburg) and studied with Rimsky-Korsakov, from whom he acquired a mastery ...
(Kär’-ol Shi-man-ov’-ske) 1882–1937 Polish composer Szymanowski came from a wealthy family whose estate in the Ukraine was lost after the Russian Revolution. He suffered from tuberculosis, and as a child had to study at home. He later lived in Germany and in Vienna, also travelling to Russia, North Africa, Italy and Sicily, returning to Poland in ...
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